| Description |
xix, 524 pages ; 25 cm |
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regular print |
| Contents |
Contents note continued: 2.3.Activism in Practice / Xabier Arakistain -- Manifesto for Maintenance Art, 1969! (1969) / Mierle Laderman Ukeles -- In Mourning and in Rage (1978) / Leslie Labowitz-Starus / Suzanne Lacy -- I Want a President (1992) / Zoe Leonard -- There s No Place like Home (2012) / Andrea Fraser -- Opening Courtroom Statement by Nadya (2013) / Nadezhda Tolokonnikova -- 2.4.Education / Nadezhda Tolokonnikova -- The Education of Women as Artists: Project Womanhouse (1972) / Miriam Schapiro -- Retrospect (2008) / Lisa Tickner -- Opened, Closed and Opening: Reflections on Feminist Pedagogy in a UK University (2010) / Griselda Pollock -- Radical Pedagogy (2011) / Johanna Gustaysson / Lisa Nyberg -- Introduction / Lisa Nyberg / Johanna Gustaysson -- 3.1.Interrogating Art History / Lisa Nyberg / Johanna Gustaysson -- Why Have There Been No Great Women Artists? (1971) / Linda Nochlin -- |
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Contents note continued: Aspects of Feminist Actionism (1989) / Mary Duffy -- Intervention d'Orlan (1995) / Orlan -- Tayoi Kusama (1998) / Amelia Jones -- Introduction / Amelia Jones -- 6.1.Sexuality and the Sexual Body / Amelia Jones -- Vaginal Iconology (1974) / Barbara Rose -- Towards New Expression (1974) / Suzanne Santoro -- Feminism (1989) / Joanna Frueh -- I Don t Have to Expose my Genitalia (1993) / Buseje Bailey -- Interview with Betty Tompkins (2006) / Buseje Bailey -- May 69 (2011) / Chris Kraus -- 6.2.Lesbian and Queer Practices / Chris Kraus -- The Straight Mind (1980) / Monique Wittig -- Framing the Questions: Positive Imaging and Scarcity in Lesbian Photographs (1991) / Jan Zita Grover -- Desire in the Politics of Representation (1993) / Shonagh Adelman -- Advantages of Being a Wonia. Lesbian Artist (2006) / Ridykeulous -- Ngiyopha: A Photo-biographical Project (2009) / Zanele Muholi -- Wonder Waif Meets Super Neuter (2010) / Catherine Lord -- |
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Contents note continued: Cyberfeminism in History, Practice and Theory (2010) / Alla Mitrofanova -- Disobedient Video in the 1970s: Video Production by Women s Collectives (2011) / Stephanie Jeanjean -- Introduction / Stephanie Jeanjean -- 5.1.Between Image and Representation / Stephanie Jeanjean -- Chapter 3 of Ways of Seeing (1972) / John Berger -- Visual Pleasure and Narrative Cinema (1975) / Laura Mulvey -- Preface to Post-Partum Document (1983) / Mary Kelly -- Images of "Woman": The Photography of Cindy Sherman (1983) / Judith Williamson -- Inscriptions and Body-Maps: Representations and the Corporeal (1990) / Elizabeth Grosz -- Framing the Female Body (1992) / Lynda Nead -- Politics and Aesthetics of the Sign (2004) / Nelly Richard -- 5.2.The Artist s Body in the Artwork / Nelly Richard -- The Pains and Pleasures of Rebirth: European and American Women s Body Art (1976) / Lucy Lippard -- Disability, Differentness, Identity (1987) / Mary Duffy / Valie Export -- |
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Contents note continued: For a Truly Feminist Art (1972) / Judith Stein -- Negative Capability as Practice in Women s Art (1979) / Anne-Marie Sauzeau-Boetti -- 4.2.Craft / Anne-Marie Sauzeau-Boetti -- The Creation of Femininity (1984) / Rozsika Parker -- I Need Tracey Emin Like I Need God (2004) / Catherine Harper -- Anti-Factory (2008) / Stephanie Syjuco -- 4.3.Painting / Stephanie Syjuco -- Paint Stripping (1994) / Katy Deepwell -- Plan: Large Woman or Large Canvas? A Confusion of Size with Scale (1996) / Alison Rowley -- AbEx and Disco Balls: In Defense of Abstract Expressionism II (2011) / Amy Sillman -- 4.4.New Media / Amy Sillman -- The Blues: An Interview with Mitra Tabrizian Discussing her Latest Work with Alex Noble (1987) / Mitra Tabrizian -- Where is the Feminism in Cyberfeminism? (1998) / Faith Wilding -- Trashing "Shulie": Remnants from Some Abandoned Feminist History (2006) / Elisabeth Subrin -- |
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Contents note continued: Introduction / Catherine Lord -- 7.1.Projections / Catherine Lord -- The Ties That Bind: Here We Go Again (1987) / Kass Banning -- The Triple Negation of Colored Women Artists (1990) / Adrian Piper -- Reinventing the Nude: Fiona Foley s Museology (1999) / Diane Losche -- Performing the Other: Yoko Ono s Cut Piece (2005) / Jieun Rhee -- 7.2.Political Violence / Jieun Rhee -- Art, Affect, and the "Bad Death": Strategies for Communicating the Sense Memory of Loss (2002) / Jill Bennett -- Interview by Francisco Goldman (2006) / Between the Monument and the Ruin / Regina Jose Galindo -- Interview with Lida Abdul by Candice Hopkins (2007) / Regina Jose Galindo -- 7.3.Global Citizens / Regina Jose Galindo -- The Cant Show (2007) / Tracey Rose -- Crossing Borders Series (2009) / Tanja Ostojic -- Art in Exile (2010) / Shirin Neshat |
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Contents note continued: Male Grazing: An Open Letter to Thomas McEvilley (1989) / Mary Beth Edelson -- In the Woodpile: Black Women Artists and the Modern Woman (1990) / Lubaina Himid -- Where the Girls Aren't (2006) / East London Fawcett / Jerry Saltz -- The Great East London Art Audit (2013) / Jerry Saltz -- 2.2.Towards Feminist Structures / West-East Coast Bag / Jerry Saltz -- Consciousness-Raising Rules (1972) / Women s Workshop / Jerry Saltz -- A Brief History of the Women s Workshop of the Artist s Union 1972-1973 (c. 1973) / Jerry Saltz -- Well, is the Personal Political? (1980) / Martha Rosier -- Trojan Horses: Activist Art and Power (1984) / Lucy Lippard -- A Theoretical and Political Context (1985) / Anne Marsh -- ARCO Manifesto: Politics of Equality between Men and Women in the Art World (2005) / Parliament of Spain / Xabier Arakistain -- Article 26: Equality in Artistic and Intellectual Creation and Production (2007) / Xabier Arakistain -- |
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Contents note continued: Women, Art and Ideology: Questions for Feminist Art Historians (1983) / Griselda Pollock -- Patrilineage (1991) / Mira Schor -- 3.2.Feminist/Writing / Mira Schor -- Virility and Domination in Early Twentieth Century Vanguard Painting (1973) / Carol Duncan -- Frida Kahlo: Marginalization and the Critical Female Subject (1990) / Joan Borsa -- In Search of a Discourse and Critique/s that Center the Art of Black Women Artists (1993) / Freida High W. Tesfagiorgis -- Working Notes: Conversation with Katy Deepwell (2002) / Maureen Connor -- In? Out? In Between? Some Notes on the Invisibility of a Nascent Eastern European Feminist and Gender Discourse in Contemporary Art Theory (2009) / Martina Pachmanova -- Introduction / Martina Pachmanova -- 4.1.Aesthetic Choice / Martina Pachmanova -- Woman as Artist (1971) / Judy Chicago -- Some Thoughts on Feminist Art (1971) / Marjorie Kramer -- A Feminine Sensibility? (1972) / Pat Mainardi -- |
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Machine generated contents note: Introduction -- 1.1.Gender in/of Culture -- Scum Manifesto (1968) / Valerie Solanas -- (Male) Culture (1970) / Shulamith Firestone -- Is Female to Male as Nature is to Culture? (1972) / Sherry B. Ortner -- From Tape no. 2 for Kitch s Last Meal (1973) / Carolee Schneemann -- 1.2.Curating Feminisms / Carolee Schneemann -- Art and Feminism: An Ideology of Shifting Criteria (2007) / Cornelia Butler -- Kiss Kiss Bang Bang: 86 Steps in 45 Years of Art and Feminism (2007) / Xabier Arakistain -- Rebelle: Introduction (2009) / Mirjam Westen -- Introduction / Mirjam Westen -- 2.1.Challenging Patriarchal Structures / Women s Ad Hoc Committee/Women Artists in Revolution/WSABAL / Mirjam Westen -- To the Viewing Public for the 1970 Whitney Annual Exhibition (1970) / Mirjam Westen -- Art is a Revolutionary Act (1980) / Monica Sjoo -- The Advantages of Being a Woman Artist (1988) / Guerrilla Girls -- |
| Summary |
Charting over 45 years of feminist debate on the significance of gender in the making and understanding of art, this archival anthologyh gathers together 88 indicative texts from North America, Edurope and Australasia, and elsewhere. -- |
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Hilary Robinson is Dean of the School of Art and Design and Professor of Visual Culture at Middlesex University London, having previously held positions at Carnegie Mellon University, USA, and the University of Ulster, Norhern Ireleand. --Book Jacket |
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The scale and structure of the volume make it a uniqauely flexible resource for study and research. Each of the seven sections focuses on a specific area of debate and is introduced by a descriptive summary. The texts within each chapter are then presented in chronological order, indexing differing positions as they developed over time. -- |
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The volume embraces a broad range of threads and perspectives, from diverse national and global approaches, lesbian and queer theory, and postmodernism to education and aesthetics. The writings of artists and activists are juxtaposed with those of academics, creating an entertaining and provacative web of ideas. Some of the texts are now regarded as classic, but the anthology is particulary notable for its inclusion of rare and significant material not reprinted elsewhere. -- |
| Notes |
Previous edition published 2001 |
| Bibliography |
Includes bibliographical references and index |
| Subject |
Art, Modern -- 20th century.
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Art, Modern -- 21st century.
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Feminism and art.
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Feminist art criticism.
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| Author |
Robinson, Hilary, 1956- editor
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| LC no. |
2014043992 |
| ISBN |
1118360591 |
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1118360605 |
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9781118360590 |
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9781118360606 |
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