Limit search to available items
Book Cover
Book

Title Abstract art in the late twentieth century / edited by Frances Colpitt
Published Cambridge ; New York : Cambridge University Press, 2002

Copies

Location Call no. Vol. Availability
 MELB  759.0652 Col/Aai  AVAILABLE
 W'PONDS  759.0652 Col/Aai  AVAILABLE
 WATERFT ART&ARCH  759.0652 Col/Aai  AVAILABLE
 W'BOOL  759.0652 Col/Aai  AVAILABLE
 WATERFT ART&ARCH  759.0652 Col/Aai  AVAILABLE
 MELB  759.0652 Col/Aai  AVAILABLE
 MELB  759.0652 Col/Aai  AVAILABLE
Description xix, 212 pages : illustrations ; 24 cm
Series Contemporary artists and their critics
Contemporary artists and their critics.
Contents 1. Four Abstract Classicists / Jules Langsner -- 2. Literalism and Abstraction: Frank Stella's Retrospective at the Modern / Philip Leider -- 3. Serial Imagery / John Coplans -- 4. The Silent Art / Lucy R. Lippard -- 5. After the Ultimate / Gregoire Muller -- 6. Marden, Novros, Rothko: Painting in the Age of Actuality / Sheldon Nodelman -- 7. The End of Painting / Douglas Crimp -- 8. Signs Taken for Wonders / Hal Foster -- 9. The Current State of Nonrepresentation / Jeremy Gilbert-Rolfe -- 10. The Abstract Self-Object / Donald Kuspit -- 11. Once Removed from What? / David Pagel -- 12. Systems of Opinion: Abstract Painting Since 1959 / Frances Colpitt
Summary By the middle of the 20th century, abstraction was the accepted language of art as practiced by painters and articulated by critics, who began to investigate its historical and theoretical dimensions. Abstract Art in the Late Twentieth Century includes seminal essays on abstract painting by eleven of its most incisive critics and written over four decades, between 1960 and 2000. Tracing the post-Greenbergian development of such critical issues as hard-edge painting, deductive and serial structure, monochrome abstraction, the psychological analogy, regionalism, and the 'death of painting' in post-modernism, they examine works by Ad Reinhardt, Frank Stella, Brice Marden, Sherrie Levine, and Gerhard Richter, among others. The introduction and commentary by Frances Colpitt situates the essays historically and examines their philosophical sources and influences, from formalism and phenomenology, to structuralism and poststructuralism. What emerges is a coherent and optimistic picture of abstract painting, the definitive contribution of modern art
Bibliography Includes bibliographical references and index
Subject Art, Modern -- 20th century.
Painting, Modern -- 20th century.
Painting, Abstract.
Art, Abstract.
Genre/Form Aufsatzsammlung
Author Colpitt, Frances.
LC no. 2001035676
ISBN 0521808367 (hardback)
0521004535 (paperback)
9780521004534 (paperback)