| Description |
xviii, 350 pages : illustrations ; 24 cm |
| Series |
Chicago studies in ethnomusicology |
|
Chicago studies in ethnomusicology.
|
| Contents |
1. From Hindu to Islam: The Early History of Javanese Music -- 2. Javanese Interaction with European Colonialism, Islam, and the Peranakaa Chinese: A Period of Intensive Cultural Development -- 3. The Impact of Western Thought on Javanese Views of Music --4. Current Theories of Gendhing |
| Summary |
This is a study of the music of Java and the development of the gamelan. An ensemble dominated by bronze percussion instruments that dates back to the twelfth century in Java, the gamelan as a musical organization and a genre of performance reflects a cultural heritage that is the product of centuries of interaction between Hindu, Islamic, European, Chinese, and Malay cultural forces. Drawing on sources ranging from a twelfth-century royal poem to the writing of a twentieth-century nationalist, the author shows how the Indian-inspired contexts and ideology of the Javanese performing arts were first adjusted to the Sufi tradition and later shaped by European performance styles in the eighteenth and nineteenth centuries. He then turns to accounts of gamelan theory and practice from the colonial and postcolonial periods. He also presents his own theory of gamelan, stressing the relationship between purely vocal melodies and classical gamelan composition |
| Notes |
Revision of the author's thesis (Ph. D.)--Cornell University, 1992, originally presented under title: Historical contexts and theories of Javanese music |
| Bibliography |
Includes bibliographical references (pages 325-337) and index |
| Subject |
Gamelan -- Indonesia -- Java.
|
|
Gamelan.
|
|
Music -- Indonesia -- Java -- History and criticism.
|
| LC no. |
94043013 |
| ISBN |
0226780104 |
|
0226780112 (paperback) |
|
