| Description |
xi, 303 pages : illustrations ; 23 cm |
| Contents |
Introduction: A Thematic and Intertextual Approach -- Ch. 1. Vincente Minnelli's An American in Paris: Painting as Psychic Upheaval -- Ch. 2. Michelangelo Antonioni's Red Desert: Painting as Ventriloquism and Color as Movement -- Ch. 3. Eric Rohmer's The Marquise of O: Painting Thoughts, Listening to Images -- Ch. 4. Jean-Luc Godard's Pierrot le Fou: Cinema as Collage against Painting -- Ch. 5. Andrei Tarkowsky's Andrei Rublev: Cinema as the Restoration of Icon Painting -- Ch. 6. F. W. Murnau's Nosferatu: Romantic Painting as Horror and Desire in Expressionist Cinema -- Ch. 7. Kenji Mizoguchi's Five Women around Utamaro: Film between Woodblock Printing and Tattooing -- Ch. 8. Alain Cavalier's Therese: Still Life and the Close-Up as Feminine Space |
| Notes |
Includes index |
| Bibliography |
Includes bibliographical references (pages [267]-292) and index |
| Subject |
Art and motion pictures.
|
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Art in motion pictures.
|
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Motion pictures -- Aesthetics.
|
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Painting and motion pictures.
|
| LC no. |
95032441 |
| ISBN |
029271582X (cloth : alk. paper) |
|
0292715838 (paperback: alk. paper) |
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