First experiments with sound : Blackmail and Murder -- Expressionism at its height : Secret agent -- Consolidation of a classical style : The man who knew too much (1934) -- Music and murder -- The subjective film : Rear window -- Aural intrusion and the single-set films -- Beyond subjectivity : The birds -- Silence and screams
Analysis
Hitchcock, Alfred
Hitchcock, Alfred
Notes
Includes index
Bibliography
Filmography: pages 168-173
Includes bibliographical references (pages 174-183) and index