| Description |
viii, 264 pages : illustrations ; 23 cm |
| Contents |
Machine derived contents note: Introduction Postmodernism(s) 3 -- Cristina Degli-Esposti -- -- PART I - THE IDEOLOGICAL, THE MNEMONIC, THE PARODIC, -- AND THE MEDIA 19 -- -- Chapter 1 The Player's Parody of Hollywood: A Different 21 -- Kind of Suture -- Cynthia Baron -- -- Chapter 2 Intertextual Maneuvers around the Subaltern: 45 -- Aladdin as a Postmodern Text -- Marwan M. Kraidy -- -- Chapter 3 Of Mice and Bart: The Simpsons and the -- Postmodern 61 -- David Weinstein -- -- Chapter 4 Reification and Loss in Postmodern Puberty: 73 -- The Cultural Logic of Fredric Jameson and -- American Youth Movies -- Timothy Shary -- -- PART II - ISSUES OF CROSS-CULTURAL IDENTITY -- AND NATIONAL CINEMAS 91 -- -- Chapter 5 Refiguring Pleasure: Itami and the Postmodem 93 -- Japanese Film -- John Bruns -- -- -- -- -- -- Chapter 6 De-Authorizing the Auteur: Postmodern Politics of 113 -- Interpellation in Contemporary European Cinema -- Rosanna Maule -- -- Chapter 7 Postmodernist Condition in Post-Socialist 131 -- Eastern European Films: The Case of a Political -- Pastiche and the Socialist-Hollywood Thriller in -- Recent Films of Polish Filmmakers -- Janina Falkowska -- -- PART III - POSTMODERNISM AS TOURISM, (POST)HISTORY, AND -- COLONIZATION 145 -- -- Chapter 8 E.M. Forster's Anti-Touristic Tourism and the 147 -- Sightseeing Gaze of Cinema -- Ellen Strain -- -- Chapter 9 Imaginary Geographies: The Colonial Subject in 167 -- Contemporary French Cinema -- Christine Bolus-Reichert -- -- Chapter 10 Decapitated Spectators: Barton Fink, (Post)history, 187 -- and Cinematic Pleasure -- Barry Laga -- -- PART IV- AUTEURIAL PRESENCES 208 -- -- Chapter 11 Something Like Autobiography in Akira 211 -- Kurosawa's Dreams -- Marshall Deutelbaum -- -- Chapter 12 Not Waving but Drowning by Numbers: 219 -- Peter Greenaway's Cautionary Tale -- Philip Holden-Moses -- -- Chapter 13 A Double Voice: The Dual Paternity of Querelle 231 -- Mary M. Wiles |
| Analysis |
POSTMODERNISM AND THE CINEMA |
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POSTMODERNISM AND TV/VIDEO |
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POSTMODERNISM AND TV/VIDEO. USA |
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POSTMODERNISM AND THE CINEMA. USA |
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POSTMODERNISM AND THE CINEMA. JAPAN |
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POSTMODERNISM AND THE CINEMA. POLAND |
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POLAND |
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TRAVEL IN FILMS |
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FRANCE |
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IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES |
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IMPERIALISM AND THE CINEMA. FRANCE |
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HISTORY AND THE CINEMA |
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ARABS IN FILMS |
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RACIAL STEREOTYPES IN FILMS |
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ANIMATION |
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YOUNG PEOPLE, FILMS FOR |
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ADAPTATIONS. FORSTER, E. M |
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ADAPTATIONS. GENET, JEAN |
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AUTEUR THEORY |
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DEGLI-ESPOSTI, CHRISTINA |
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BARON, CYNTHIA |
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KRAIDY, MARWAN |
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WEINSTEIN, DAVID |
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SHARY, TIMOTHY |
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BRUNS, JOHN |
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MAULE, ROSANNA |
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FALKOWSKA, JANINA |
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STRAIN, ELLEN |
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BOLUS-REICHERT, CHRISTINE |
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LAGA, BARRY |
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DEUTELBAUM, MARSHALL |
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HOLDEN-MOSES, PHILIP |
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WILES, MARY |
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ALTMAN, ROBERT |
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JAMESON, FREDRIC |
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ITAMI, JUZO |
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FORSTER, E. M |
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COEN, JOEL & ETHAN |
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KUROSAWA, AKIRA |
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GREENAWAY, PETER |
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FASSBINDER, RAINER, WERNER |
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PLAYER, THE (US, Robert Altman, 1992) |
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ALADDIN (US, John Musker & Ron Clements, 1992) |
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SIMPSONS, THE [TV] (US, 1989-) |
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BILL AND TED'S EXCELLENT ADVENTURE (US, Stephen Herek, 1989) |
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WAYNE'S WORLD (US, Penelope Spheeris, 1992) |
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SINGLES (US, Cameron Crowe, 1992) |
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REALITY BITES (US, Ben Stiller, 1994) |
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TAMPOPO (JA, Juzo Itami, 1986) |
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A NOS AMOURS (FR, Maurice Pialat, 1983) |
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MESSA E FINITA, LA (IT, Nanni Moretti, 1985) |
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QUE HE HECHO PARA MERECER ESTO!! (SP, Pedro Almodovar, 1984) |
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PSY (PL, Wladyslaw Pasikowski, 1993) |
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CZLOWIEK Z ... (PL, Konrad Szolajski, 1993) |
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WHERE ANGELS FEAR TO TREAD (UK, Charles Sturridge, 1991) |
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ROOM WITH A VIEW, A (UK, James Ivory, 1986) |
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PASSAGE TO INDIA, A (US/UK, David Lean, 1984) |
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COUP DE TORCHON (FR, Bertrand Tavernier, 1981) |
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VICTOIRE EN CHANTANT, LA (FR/GW, Jean-Jacques Annaud, 1976) |
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CHOCOLAT (FR, Claire Denis, 1988) |
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BARTON FINK (US, Joel Cohen, 1991) |
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DREAMS (US, Akira Kurosawa, 1990) |
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DROWNING BY NUMBERS (UK, Peter Greenaway, 1988) |
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QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982) |
| Notes |
Papers from a conference held in 1994 at Kent State University, Kent, Ohio |
| Bibliography |
Includes bibliographical references and index |
| Subject |
Postmodernism -- Social aspects -- Congresses.
|
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Motion pictures -- Philosophy -- Congresses.
|
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Postmodernism in motion pictures -- Congresses
|
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Motion pictures -- Social aspects -- Congresses.
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| Genre/Form |
Conference papers and proceedings.
|
| Author |
Degli-Esposti, Cristina.
|
| LC no. |
97046957 |
| ISBN |
1571811052 acid-free paper |
|
1571811060 acid-free paper |
|
