| Description |
1 online resource (996 pages) : illustrations (some color), plans, portraits |
| Contents |
Frontmatter -- Contents -- Preface -- Introduction -- Part One. Neo-Classicism (1800-1840) -- The Architectural Profession and Its Principal Actors -- The Architectural Style -- Architecture in the Regions -- Catholic Church Architecture -- Protestant Church Architecture -- Synagogues -- Country House Architecture -- Fine Furniture -- Material Culture -- Part Two. Romanticism (1840-1870) -- The Functions of Architecture and the Search for Style -- Building Practices, Architectural Training and the Theory and History of Architecture -- Secular Public Architecture -- Religious Architecture -- Monuments and Similar Structures -- Domestic Architecture -- Other Buildings -- Parks and Gardens -- Iron Structures, Metal Railings and the Associated Disciplines -- Early Monument Restoration -- Fine Furniture and Interior Design -- Material Culture -- Part Three. Historicism (1870-1900) -- The Architectural Scene and its Main Actors -- The Question of Architectural Style -- Education and Training -- The Specialist Press, Libraries and Professional Associations -- Public Buildings for the State -- Ecclesiastic Architecture -- Mausoleums -- Monument Conservation -- Civic Architecture -- Domestic Architecture -- Architecture and the Associated Arts -- Furniture and Interior Design -- Material Culture -- The Millennium Buildings -- New Phenomena and Alternatives to Historicism -- The Beginnings of the Secession -- Notes -- Bibliography -- Picture Credits -- Name Index -- Place Index |
| Summary |
"In the 19th century Hungary witnessed unprecedented social, economic and cultural development. The country became an equal partner within the Dual Monarchy when the Austro-Hungarian Compromise of 1867 was concluded. Architecture and all forms of design flourished as never before. A distinctly Central European taste emerged, in which the artistic presence of the German-speaking lands was augmented by the influence of France and England. As this process unfolded, attempts were made to find a uniquely Hungarian form, based on motifs borrowed from peasant art as well as real (or fictitious) historical antecedents. 'Motherland and Progress'--the motto of 19th-century Hungarian reformers--reflected the programme embraced by the country in its drive to define its identity and shape its future."--Provided by publisher |
| Bibliography |
Includes bibliographical references (pages 889-940) and indexes |
| Notes |
In English, translated from Hungarian |
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Print version record |
| Subject |
Architecture -- Hungary -- History
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Architectural design -- Hungary -- 19th century
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Decorative arts -- Hungary -- History -- 19th century
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ARCHITECTURE -- Adaptive Reuse & Renovation.
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ARCHITECTURE -- Buildings -- Landmarks & Monuments.
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ARCHITECTURE -- Professional Practice.
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ARCHITECTURE -- Reference.
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Architectural design
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Architecture
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Decorative arts
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Hungary
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| Genre/Form |
History
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| Form |
Electronic book
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| Author |
Sisa, József, editor
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Kane, Stephen, translator
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| LC no. |
2017288206 |
| ISBN |
9783035610109 |
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303561010X |
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9783035607819 |
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3035607818 |
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9783035607864 |
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3035607869 |
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3035610096 |
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9783035610093 |
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