| Description |
1 online resource (xi, 236 pages) : illustrations |
| Series |
Edinburgh Studies in Film and Intermediality |
|
Edinburgh studies in film and intermediality.
|
| Contents |
Acknowledgements and Illustrations; Introduction; Chapter 1: Impure Pictoriality: The Matter of Painting; Chapter 2: Performing the Mind: Interiority, Television, and Artificial Brains; Chapter 3: (Quietly) Noisy Images, Sonic Landscapes, Audiotape and 'the New Musicality'; Chapter 4: The 'Image-World' and The Reality of Photography; Chapter 5: Uncinematic Provocations and the Pursuit of Boredom |
| Summary |
The book offers a radical rethinking of Michelangelo Antonioni's work. It argues against prevalent understandings of it in terms of both cinematic purity and indebtedness to painting |
| Bibliography |
Includes bibliographical references (pages 201-227) and index |
| Notes |
Print version record |
| Subject |
Antonioni, Michelangelo -- Criticism and interpretation
|
| SUBJECT |
Antonioni, Michelangelo fast |
| Subject |
Motion picture producers and directors -- Italy
|
|
Motion picture producers and directors
|
|
Italy
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| ISBN |
9781474444064 |
|
1474444067 |
|
9781474444071 |
|
1474444075 |
|
