| Description |
xxii, 346 pages : illustrations ; 24 cm |
| Series |
Open University art of the twentieth century series |
|
Open University art of the twentieth century series
|
| Contents |
I. Modernism and the Crisis of Modernism -- 1. Selection of statements on early modernism -- 'Simplification and Design', 1913 / Clive Bell -- 'Negro Sculpture', 1920 / Roger Fry -- from Modern Plastic Art, 1937 / Carola Giedion-Welcker -- 'A Definition of Primitivism', 1938 / Robert Goldwater -- from The Story of Modern Art, 1941 / Sheldon Cheney -- 'Statement', 1959 / Elaine de Kooning -- 2. 'The Nature of Abstract Art', 1937 / Meyer Schapiro -- 3. 'Modernism in Comparative Perspective', 1982 / Eugene Lunn -- 4. from Farewell to an Idea, 1999 / T. J. Clark -- II. Avant-Garde and Neo-Avant-Garde -- 1. from Theory of the Avant-Garde, 1974 / Peter Burger -- 2. 'How a Cubist Painting Holds Together', 2002 / Paul Smith -- 3. 'The Pasted-Paper Revolution', 1958 / Clement Greenberg -- 4. from The Critique of Everyday Life, 1947 / Henri Lefebvre -- 5. 'The Primary Colours for the Second Time: A Paradigm Repetition of the Neo-Avant-Garde', 1986 / Benjamin Buchloh -- III. Modernity and Photography -- 1. 'News about Flowers', 1928 / Walter Benjamin -- 2. 'A Few Words on Photomontage', 1934 / Hannah Hoch -- 3. 'Photography in the Service of Surrealism', 1986 / Rosalind Krauss -- 4. from The Photographer's Eye, 1969 / John Szarkowski -- 5. 'Dismantling Modernism, Reinventing Documentary (Notes on the Politics of Representation)', 1976-8 / Allan Sekula -- 6. '"Marks of Indifference": Aspects of Photography in, or as, Conceptual Art', 1995 / Jeff Wall -- IV. Subjects and Objects -- 1. 'Literalism and Abstraction', 1970 / Philip Leider -- 2. 'Space, Time and Situation', 2000 / Alex Potts -- 3. 'Escape Attempts', 1995 / Lucy Lippard -- 4. 'Convention and Innovation', 1976 / Clement Greenberg -- 5. 'Art Object and Art Work', 1989 / Charles Harrison -- 6. 'One Place After Another: Notes on Site Specificity', 1997 / Miwon Kwon -- V. The Performance of Identity -- 1. 'Personism: A Manifesto', 1960 / Frank O'Hara -- 2. 'Painting, Feminism, History', 2001 / Griselda Pollock -- 3. 'The Discourse of Others: Feminists and Postmodernism', 1985 / Craig Owens -- 4. from Body Art: Performing the Subject, 1998 / Amelia Jones -- 5. 'Objects Beyond Objecthood', 1999 / Briony Fer -- VI. Globalisation -- 1. 'What is this "black" in black popular culture?', 1992 / Stuart Hall -- 2. 'Perfidious Fidelity: the Untranslatability of the Other', 1994 / Sarat Maharaj -- 3. 'Emily Kame Kngwarreye and the Undeconstructible Space of Justice', 1998 / Rex Butler -- 4. 'The Black Box', 2002 / Okwui Enwezor |
| Notes |
Formerly CIP. Uk |
| Bibliography |
Includes bibliographical references and index |
| Subject |
Art, Modern -- 20th century -- Themes, motives.
|
|
Art, Modern -- 20th century -- History.
|
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Art, Modern -- 20th century.
|
| Author |
Wood, Paul.
|
|
Gaiger, Jason.
|
|
Open University.
|
| LC no. |
2003114629 |
| ISBN |
0300101449 paperback |
|
