| Description |
viii, 148 pages ; 24 cm |
| Contents |
Ch. 1. Intitution in Aesthetic Appreciation -- Ch. 2. Aesthetics -- Ch. 3. Leon Battista Alberti -- Ch. 4. Giorgio Vasari and the Origin of the Image of the Artist -- Ch. 5. The Image of the Artist as Rebel and Social Critic -- Ch. 6. Lomazzo and Bellori and the Hardening of the Term of Imitation -- Ch. 7. The French Academy -- Ch. 8. Roger De Piles -- Ch. 9. The Evolution to Romanticism -- Ch. 10. Johann J. Winckelmann -- Ch. 11. Sir Joshua Reynolds -- Ch. 12. The Salon Shows -- Ch. 13. Denis Diderot -- Ch. 14. The Romantic Critics -- Ch. 15. Charles Baudelaire -- Ch. 16. "Art for Art's Sake" -- Ch. 17. John Ruskin -- Ch. 18. Walter Pater -- Ch. 19. Modernist Art Criticism -- Ch. 20. Roger Fry -- Ch. 21. Clement Greenberg -- Ch. 22. Art as Political Rhetoric -- Ch. 23. Harold Rosenberg -- Ch. 24. Post-Modernism: Anomaly in Art Critical Theory -- Ch. 25. Feminist Art Criticism -- Ch. 26. The Search for Aesthetic Meaning in Art Education: Summary and Conclusions |
| Bibliography |
Includes bibliographical references (pages [139]-143) and index |
| Subject |
Aesthetics, Modern -- 20th century.
|
|
Art, Modern -- 20th century -- Philosophy.
|
| LC no. |
00060892 |
| ISBN |
0897897730 alkaline paper |
|
