Staging memory : "the most Portuguese village in Portugal" and the exposition of the Portuguese world -- Between modernity and tradition : José de Almada Negreiros's visual commentaries on popular experience -- Family secrets : Irene Lisboa's critique of "God, pátria, and family" -- Imperial dreams and colonial nightmares : Baltasar Lopes's ambivalent embrace of Lusotropicalism -- Conclusion : memory and the collective imagination under the Estado Novo and in its aftermath
Summary
"A study of art, architecture and literature produced in Portugal and Cape Verde during the period 1933-1948. Documents artistic responses to images of the Portuguese nation promoted by the Salazar government's Office of State Propaganda. Examines the works of José de Almada Negreiros, Irene Lisboa, and Baltasar Lopes"--Provided by publisher
Bibliography
Includes bibliographical references (pages 153-160) and index
