| Description |
1 online resource |
| Contents |
Intro -- Title Page -- Copyright -- Contents -- Introduction: Intimate Encounters -- 1. Modernity, Nationalism, and Civilizing the Arts -- 2. Art Worlds: Of Friends, Foes, and Working for the Greater Good -- 3. Governing Culture, Producing Modern Citizens -- 4. The Art of Forgetting -- 5. The Politics of Art and Censorship -- 6. Enterprising Art, Aestheticizing Business -- Instead of a Conclusion: Meeting, Again -- Acknowledgments -- Notes -- References -- Index -- About the Author |
| Summary |
The National Frame rethinks the politics of art by focusing on the role of art in state governance. It argues that artistic practices, arts patronage and sponsorship, collecting and curating art, and the modalities of censorship, continue to be refracted through the conceptual lens of the nation-state, despite the globalization of the arts |
| Analysis |
East/West binary |
|
anthropology of art |
|
art world |
|
comparison |
|
cultural memory |
|
cultural policy |
|
dispossession |
|
modernity |
|
nationalism |
|
state violence |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Online resource; title from digital title page (viewed on February 08, 2021) |
| Subject |
Art and state -- Turkey -- History
|
|
Art and state -- Germany -- History
|
|
Politics and culture -- Turkey
|
|
Politics and culture -- Germany
|
|
Arts -- Political aspects -- Turkey
|
|
Arts -- Political aspects -- Germany
|
|
ART -- Museum Studies.
|
|
Art and state
|
|
Arts -- Political aspects
|
|
Politics and culture
|
|
Germany
|
|
Turkey
|
| Genre/Form |
History
|
| Form |
Electronic book
|
| ISBN |
9780823290222 |
|
0823290220 |
|
0823290239 |
|
9780823290239 |
|
9780823297337 |
|
0823297330 |
|
