In this article, the authors discuss their experiences of using photography and video while observing contentious parades and protests in Belfast. They show how their use of these methods drew them into a series of unplanned for non-verbal interactions with other event participants who were also freely and abundantly using photographic and filming equipment to capture their own images
Bibliography
Includes bibliographical references
Notes
Online resource; title from home page (viewed on November 19, 2015)
