Frontmatter -- Contents -- Acknowledgments -- Foreword -- Ratio One. Comic Closure -- One. Heroic Romance -- Two. Tragicomic Romance -- Three. Social Comedy -- Four. Subversive Comedy -- Five. The Lyric -- Ratio 2. Non-Comic Closure -- Six. Political Tragedy -- Seven. Personal Tragedy -- Eight. Corrective Satire -- Nine. Absurdist Satire -- Afterword -- Works Cited -- Index
Summary
J. Douglas Canfield argues that English literature of the feudal epoch placed this master trope of word as bond at the center of conflict. The trope does not passively reflect social reality; rather, it helps to define, to constitute the society and its values
Notes
In English
Description based on online resource; title from PDF title page (publisher's Web site, viewed Dec. 09, 2016)