"Colour'd shadows" : contexts in publishing, printing, and reading nineteenth-century British women writers / Terence Allan Hoagwood and Kathryn Ledbetter
List of Illustrations -- Introduction -- Scholarly Fantasy and Material Reality in Mary Robinson's Sappho and Phaon -- Ideology and Textuality in Hemans's Records of Woman -- Commodifying the "Calumniated Woman" in Fraser's -- "The Very Roads of Literature": Women Editors of Nineteenth-Century British Literary Annuals -- Voluptuous Opportunities: Visual Images in The Keepsake -- "The Fate of Woman at Its Root": Elizabeth Barrett's A Drama of Exile and Jean Ingelow's A Story of Doom -- "Varied Forms Pass Glitt'ring": Violet Fane's Denzil Place: A Story in Verse -- Notes -- Bibliography
Summary
A large body of nineteenth-century British women's literature highlights the use of verbal illusions, even while its essence remains the premise of inward and personal experience. In the age of commercial distribution, the nonequivalence of personal feeling and printed product is sometimes rendered bitterly, but sometimes that nonequivalence evokes the opulence of artifice. "Colour'd Shadows" is a sequence of arguments about such relationships of material form and material exchange with literary meaning, proceeding from specific examples in the writings and careers of women writers and various publishing genres, including Victorian periodicals and literary annuals
Bibliography
Includes bibliographical references (pages 177-192) and index