| Description |
1 online resource (540 p.) |
| Series |
Harvard University Studies in East Asian Law Ser |
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Harvard University Studies in East Asian Law Ser
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| Contents |
Intro -- Drifting among Rivers and Lakes: Southern Song Dynasty Poetry and the Problem of Literary History -- Contents -- Acknowledgments -- Casting Off : A Theoretical Introduction -- 1. The Other Shore: China and the Early History of the Literary -- 2. The Source and Streams Flowing from It -- 3. "West of the River": The Jiangxi Poets -- 4. The Jiangxi Style in the Field of Cultural Production -- 5. Sounding Bottom: Yang Wanli and the Dynamics of Poetic Encounter -- 6. Reading the Wind: Lu You and the Poetics of Experience |
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7. Head Winds: Displacing the Aesthetic in Daoxue Discourse from the Northern Song to Zhu Xi -- 8. Changing Course: The Discourse of the Way in Mid-Southern Song China -- 9. Drifting Amidst Rivers and Lakes: Poetry in the Early Thirteenth Century -- 10. An Inner Compass: The Poetry of Experience at Dynasty's End -- Bibliography -- Index -- Harvard-Yenching Institute Monograph Series |
| Summary |
What drives literary change? Does literature merely follow shifts in a culture, or does it play a distinctive role in shaping emergent trends? Michael Fuller explores these questions while examining the changes in Chinese shipoetry from the late Northern Song dynasty (960-1127) to the end of the Southern Song (1127-1279), a period of profound social and cultural transformation. Shi poetry written in response to events was the dominant literary genre in Song dynasty China, serving as a central form through which literati explored meaning in their encounters with the world. By the late Northern Song, however, old models for meaning were proving inadequate, and Daoxue (Neo-Confucianism) provided an increasingly attractive new ground for understanding the self and the world. Drifting among Rivers and Lakes traces the intertwining of the practice of poetry, writings on poetics, and the debates about Daoxue that led to the cultural synthesis of the final years of the Southern Song and set the pattern for Chinese society for the next six centuries. Examining the writings of major poets and Confucian thinkers of the period, Fuller discovers the slow evolution of a complementarity between poetry and Daoxue in which neither discourse was self-sufficient |
| Notes |
Description based upon print version of record |
| Subject |
Chinese poetry -- Song dynasty, 960-1279 -- History and criticism
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Chinese literature -- History and criticism -- Theory, etc
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Chinese poetry
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Song Dynasty (China)
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| ISBN |
9781684170708 |
|
1684170702 |
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