| Description |
viii, 339 pages : illustrations ; 29 cm |
| Series |
A Midland book ; 191 |
|
Midland book.
|
| Contents |
Part one : Godard / Gorin : rethinking the function of art in society -- Politics and poetry in Two or three things I know about her and La chinoise -- Politics, poetry, and the language of signs in Made in USA -- Weekend, or the self-critical cinema of cruelty -- Le gai savoir : critique plus auto-critique du critique -- One plus one, or the praxis of history -- "See you at Mao" : Godard's revolutionary British sounds -- Godard and Rocha at the crossroads of Wind from the east -- Godard/Gorin/the Dziga Vertov group : film and dialectics in Pravda, Struggle in Italy, and Vladimir and Rosa -- Tout va bien and Letter to Jane : the role of the intellectual in the revolution -- Part two : Film and revolution on many fronts -- La hora de los hornos : "Let them see nothing but flames!" -- The Ice-man cometh no more : he gave his balls to the revolution -- Rossellini's materialist mise-en-scene of La prise de pouvoir pas Louis XIV -- Sex and politics : Wilhelm Reich, world revolution, and Makavejev's WR : the mysteries of the organism -- The sorrow and the pity : France and her political myths -- The working class goes directly to heagven, without passing go : or, the name of the game is still monopoly -- Part three : Post-Bazin aesthetics : the theory and practice of Marxist film criticism -- Contra semiology: a critical reading of Metz -- The ideological situation of post-Bazin film criticism |
| Analysis |
BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969) |
|
CHAGRIN ET LA PITIE, LE (SZ/GW, Marcel Ophuls, 1971) |
|
CHINOISE, LA (FR, Jean-Luc Godard, 1967) |
|
CLASSE OPERAIA VA IN PARADISO, LA (IT, Elio Petri, 1971) |
|
European cinema films Political aspects |
|
GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) |
|
GODARD, JEAN-LUC |
|
GORIN, JEAN-PIERRE |
|
HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969) |
|
ICE (US, Robert Kramer, 1970) |
|
LETTER TO JANE (FR, Jean-Luc Godard & Jean-Pierre Gorin, 1972) |
|
MADE IN THE U.S.A. (FR, Jean-Luc Godard, 1966) |
|
MARXISM AND THE CINEMA |
|
METZ, CHRISTIAN |
|
ONE PLUS ONE (UK, Jean-Luc Godard, 1968) |
|
PRISE DE POUVOIR PAR LOUIS XIV, LA (FR, Roberto Rossellini, 1966) |
|
REVOLUTION AND THE CINEMA |
|
REVOLUTIONARY THEMES IN FILMS |
|
TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) |
|
VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) |
|
VERTOV, DZIGA |
|
WEEK-END (FR/IT, Jean-Luc Godard, 1968) |
|
WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) |
|
[DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) |
| Notes |
Includes bibliographical references and index |
| Bibliography |
Includes bibliographical references and index |
| Subject |
Communism and motion pictures.
|
|
Motion picture plays -- History and criticism.
|
|
Motion pictures -- Political aspects.
|
|
Moving pictures, European -- Political aspects
|
|
Politics in motion pictures.
|
|
Revolutions in motion pictures.
|
| LC no. |
75001936 |
| ISBN |
0253201918 (paperback) |
|
0253321891 |
|
9780253201911 |
|
9780253321893 |
|
