| Description |
1 online resource |
| Series |
Women and film history international |
|
Women and film history international.
|
| Contents |
Introduction -- "How I became a film director": Dulac's early life and pre-filmmaking career -- The Great War and Dulac's first films -- Negotiating art and industry in the postwar context -- Dulac's aesthetic matures -- Fiction, newsreels, and documentary in the sound era -- Popular front activism and Vichy -- Conclusion |
| Summary |
Through her filmmaking, writing, and cine-club activism, Dulac's passionate defense of the cinema as a lyrical art and social practice had a major influence on twentieth century film history and theory. In this work, Tami Williams makes unprecedented use of the filmmaker's personal papers, production files, and archival film prints to produce the first full-length historical study and critical biography of Dulac |
| Bibliography |
Includes bibliographical references (pages 277-294) and index |
| Notes |
Print version record |
| Subject |
Dulac, Germaine, 1882-1942 -- Criticism and interpretation
|
| SUBJECT |
Dulac, Germaine, 1882-1942 fast |
| Subject |
BIOGRAPHY & AUTOBIOGRAPHY -- Entertainment & Performing Arts.
|
|
PERFORMING ARTS -- Reference.
|
|
PERFORMING ARTS -- Film & Video -- History & Criticism.
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| LC no. |
2019722612 |
| ISBN |
9780252096365 |
|
0252096363 |
|
1306980895 |
|
9781306980890 |
|
