| Description |
1 online resource (xxvi, 225 p.) |
| Contents |
Introduction -- Dystopian (super)panopticism: from Nineteen Eighty-Four to Orwellian films -- Closed-circuit filmmaking: cinema in the age of panopticism come true -- Audiovisual fiction and synoptic surveillance: the televisualisation of life -- Cinema in the catoptic age: visions of a sousveillance world -- Conclusion: surveillance screens "the new site of film." |
| Summary |
Drawing on the rapidly developing field of surveillance studies, this book examines television shows and films-including Lost, Survivor, Minority Report, Enemy of the State, and Nineteen Eighty-Four-that shape our experience of surveillance, both as watchers and as those being watched |
| Bibliography |
Includes bibliographical (p. 211-218) references, filmography (p. 219-220), and index |
| Notes |
English |
|
Description based on print version record and CIP data provided by publisher; resource not viewed |
| Subject |
Electronic surveillance in motion pictures.
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Electronic surveillance on television.
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ART -- Film & Video.
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PERFORMING ARTS -- Film & Video -- Reference.
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Electronic surveillance in motion pictures
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Electronic surveillance on television
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| Form |
Electronic book
|
| LC no. |
2021679429 |
| ISBN |
9780810885912 |
|
0810885913 |
|
1283646242 |
|
9781283646246 |
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