| Description |
1 online resource (270 pages) : illustrations |
| Series |
Framing film |
|
Framing film (Amsterdam, Netherlands)
|
| Contents |
Table of Contents; Acknowledgements; Introduction; PART I. COLLECTIONS; 1. Private Collectors; 2. Blind Choices: Parameters and Repetitions; 3. Eyes Wide Open: Duplicates; PART II. PRESERVATIONS; 4. Passive Preservation: An Historical Overview; 5. Impressions: Restoration of the Film Image; 6. Reconstructions; PART III. PRESENTATIONS; 7. Film Museum Exhibition Spaces; 8. Framing Programmes; 9. Performances; Coda: Past Futures, Future Pasts; Notes; Bibliography; Index |
| Summary |
Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. The result is a compelling argument that film archives can never be viewed simply as innocent or neutral sources of film history |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Online resource; title from PDF title page (EBSCO, viewed September 14, 2017) |
| Subject |
Desmet, Jean, 1875-1956.
|
| SUBJECT |
Desmet, Jean, 1875-1956. fast (OCoLC)fst00486087 |
| Subject |
Nederlands Filmmuseum -- History
|
|
EYE Film Instituut Nederland.
|
| SUBJECT |
Nederlands Filmmuseum. fast (OCoLC)fst00607199 |
|
Nederlands Filmmuseum gnd |
|
Bauhaus Dessau 1986-1994 Bereich Architektur und Sammlungen gnd |
| Subject |
Motion pictures -- Netherlands -- History -- 20th century
|
|
PERFORMING ARTS -- Reference.
|
|
PERFORMING ARTS -- Film & Video -- General.
|
|
Motion pictures.
|
|
Filmgeschichtsschreibung
|
|
Filmmuseum
|
|
Diskurs
|
|
Netherlands.
|
| Genre/Form |
History.
|
| Form |
Electronic book
|
| ISBN |
9789048526741 |
|
9048526744 |
|
