| Description |
1 online resource (858 pages) |
| Series |
Brill's Studies on Art, Art History, and Intellectual History Ser |
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Brill's Studies on Art, Art History, and Intellectual History Ser
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| Contents |
Intro; Contents; Acknowledgements; Abbreviations; List of Figures; Chapter 1 Introduction. Fall and Redemption: The Divine Artist; Monstrous Hybridity; Floris's Renaissance; The Politics of the Body; The Limits of Hybridity and Drunken Fantasia; Northern Diligence; Recovering Floris; Out of Bruegel's Shadow; Chapter 2 A Portrait of the Artist: Floris's Biography in Context; A Family of Artists; Innovating the Tradition; Lambert Lombard as Teacher and Theorist; Ad Fontes; Lombard's "Academy" and His Grammar; Chapter 3 Iter Italicum: Floris's Italian Journey in Context; The Journey to Rome |
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Drawing in RomeMaking Order of the Antique; The Antique Ideal; The Relief-Like Style in Motion; Painting in Rome; Modernamente antichi e anticamente moderni; The Mobility of Style; Chapter 4 Triumphal Entry: Floris's Return to Antwerp (1546-49); Floris's Return from Italy: Continuity and Innovation; A Cosmopolitan Art; Floris and the Genoese Nation: Art and Identity; The Mystery of the Santa Margherita Triptych; The Entry of 1549 and the Arch of the Genoese Nation; Schiappalaria and Floris's Mythological Vocabulary; Afterglow of the Triumph |
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Chapter 5 The Floris Workshop: Practice, Theory, RitualRepresenting a Liberal Art; The Artist in his Studio; The Workshop Experience: Participation and Etiquette; Building a Team; The Floris Signature Paradox; Signatures Under Scrutiny; The Rise of the Print; Victoria; Drawing in the Workshop; Fall of Phaeton; Chapter 6 Portraits and Head Studies; The Head Study and Its Uses; The Model; From Studio to Cabinet; Contextualizing the Head Study; The Portrait; The Model Family; Chapter 7 Experiments in Religious Art: Style and Audience; Religious Art and the Relief-Like Style |
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Ut pictura poesis: Floris's Tabula CebetisImitatio Christi and the Northern Past; Granvelle and the Conflicts of Patronage; A Crucifixion for Granvelle; Imitatio Mariae; Alone Among Women; The Crucifixion Altarpiece for Delft; Altarpieces for Zoutleeuw; Afterlife of a Sacred Image; Chapter 8 Ardens amator artium: Floris, Niclaes Jonghelinck, and the Nature of Netherlandish Art; Jonghelinck: The Man and the Myth; The Labors of Hercules and The Liberal Arts; The Collection in Print; The Ideology of the Suburban Villa; Jacques Jonghelinck's Bacchus and The Seven Planets; Enter Bruegel |
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A Northern PastoralJonghelinck and an Emerging Discourse on Netherlandish Art; Pictorial Babel; Chapter 9 Losing Faith: Floris's Allegory of the Trinity; Questioning Faith in Style; Gathering the Faithful; Off the Altar; Grace Without Mary; A Prophetic Message; "Even as the hen gathered her chicks"; A Performance of Style; Against "Rome"; Chapter 10 Iconoclasm and Poesie; A New Mobility of Images; Venus Refracted; Venus in Vulcan's Forge; Titian in the North; The Poesie; Danaë and the Golden Rain; Viewing Distances; Susanna and the Elders; The Beauty of Print |
| Notes |
The Story of Pluto and Proserpina |
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Print version record |
| Subject |
Floris, Frans, 1519 or 1520-1570 -- Criticism and interpretation
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| SUBJECT |
Floris, Frans, 1519 or 1520-1570. fast (OCoLC)fst01818837 |
| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| ISBN |
9789004343252 |
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9004343253 |
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