Description |
1 online resource (xiv, 180 pages) : illustrations |
Series |
SUNY series, Native traces |
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Native traces.
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Contents |
Preface: A note on language : Black English and uncensored media -- Introduction: Can we live and be modern and Indigenous? : toward an Indigenous hip hop culture -- #NotYourMascot : Indigenous hip hop artists as modern subjects -- The fashion of Indigenous hip hop -- Indigenous masculinity in hip hop culture, or, How Indigenous feminism can reform Indigenous manhood -- "He's just tryna be black" : the intersections of blackness and Indigeneity in hip hop culture -- Rhyming decolonization : a conversation with Frank Waln, Sicangu Lakota -- Conclusion: "It's bigger than hip hop" : toward the Indigenous hip hop generation |
Summary |
Expressive culture has always been an important part of the social, political, and economic lives of Indigenous people. More recently, Indigenous people have blended expressive cultures with hip hop culture, creating new sounds, aesthetics, movements, and ways of being Indigenous. Kyle Mays argues that Indigenous people use hip hop culture to assert their sovereignty and challenge settler colonialism. From rapping about land and water rights from Flint to Standing Rock, to remixing "traditional" beading with hip hop aesthetics, Indigenous people are using hip hop to challenge their ongoing dispossession, disrupt racist stereotypes and images of Indigenous people, contest white supremacy and heteropatriarchy, and reconstruct ideas of a progressive masculinity. In addition, Mays carefully traces the idea of authenticity; that is, the common notion that, by engaging in a Black culture, Indigenous people are losing their "traditions." Indigenous hip hop artists navigate the muddy waters of the "politics of authenticity" by creating art that is not bound by narrow conceptions of what it means to be Indigenous; instead, they flip the notion of tradition and create alternative visions of what being Indigenous means today, and what that might look like going forward |
Bibliography |
Includes bibliographical references (pages 167-178) and index |
Notes |
Online resource; title from digital title page (EBSCO, viewed May 19, 2021) |
Subject |
Indians of North America -- Music -- History and criticism
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Rap (Music) -- History and criticism
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Hip-hop -- North America
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MUSIC -- Instruction & Study -- Voice.
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MUSIC -- Lyrics.
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MUSIC -- Printed Music -- Vocal.
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Hip-hop
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Indians of North America -- Music
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Rap (Music)
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North America
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Genre/Form |
Electronic books
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Criticism, interpretation, etc.
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Form |
Electronic book
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LC no. |
2017031345 |
ISBN |
9781438469478 |
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1438469470 |
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