Title Aesthetics, poetics and phenomenology in Samuel Taylor Coleridge / Tom Marshall

Published Cham, Switzerland : Palgrave Macmillan, [2020]

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Description 1 online resource : illustrations Contents Intro -- Acknowledgements -- Contents -- Abbreviations -- Introduction: The Finite Mind -- References -- Anti-Psychologism and Ideal Laws in Biographia I -- Psychologism, Aesthetic Criticism and Phenomenology -- Thoughts and Things -- The Despotism of the Eye -- Active and Passive Synthesis: The Water Insect -- References -- Coleridge's Phenomenological Engagements with Idealism -- Idealism as a Philosophical Foil -- Kant -- Fichte -- Schelling -- References -- Imagination and Intentionality -- Noesis and Noema: The Structure of Husserlian Intentionality The Road to the Imagination: Consciousness and Its World of Objects -- Primary and Secondary Finitisation -- Philosophic and Poetic Intentionality -- References -- Coleridge's Epoché -- Suspension as a Philosophical Function -- The Husserlian Epoché -- Illusion vs. Delusion in the Lectures on Literature -- Interest and Ideality in the Principles of Genial Criticism -- The Willing Suspension of Disbelief as a Phenomenology of Criticism -- The Logic and Suspension as 'Negative Idealism' -- References -- 'The Acts of the Mind Itself': Eidetic Intuition and the 'Conversation Poems' Philosophical Poetry and Phenomenological Criticism -- Seeking After Syllogism: Internal Time-Consciousness and the Eolian Harp -- 'The Joys We Cannot Share': Perceptual Genesis and This Lime-Tree Bower My Prison -- Awaiting the Stranger: Solipsism and Intersubjectivity in Frost at Midnight -- Coda: Thinking and Feeling -- References -- Conclusion -- References -- Index Summary 'Tom Marshalls erudite study provides what is by some distance the most comprehensive treatment of Coleridges relation to the phenomenological tradition. Marshalls lucid and provocative analysis defends both the individual poet, and the wider idealist tradition to which he belongs, from the common charge of abstraction. Coleridge stands revealed to us rather as a thinker for whom the most profound philosophical questions turn on the question--and the experience--of sensuous immediacy.' - Dr Ewan James Jones, University of Cambridge, UK This book re-evaluates the philosophical status of Samuel Taylor Coleridge by providing an extended comparison between his work and the phenomenological theory of Edmund Husserl. Examining Coleridges accounts of the imagination, perception, poetic creativity and literary criticism, it draws a systematic and coherent structure out of a range of Coleridges philosophical writing. In addition, it also applies the principles of Coleridges philosophy to an interpretation of his own poetic output Bibliography Includes bibliographical references and index Notes Description based on CIP data; resource not viewed Subject Coleridge, Samuel Taylor, 1772-1834 -- Aesthetics Coleridge, Samuel Taylor, 1772-1834 -- Criticism and interpretation Husserl, Edmund, 1859-1938 -- Influence SUBJECT Coleridge, Samuel Taylor, 1772-1834 fast Husserl, Edmund, 1859-1938 fast Subject Phenomenology and literature -- History -- 19th century Philosophy in literature. Aesthetics Influence (Literary, artistic, etc.) Phenomenology and literature Philosophy in literature Genre/Form Criticism, interpretation, etc. History Form Electronic book ISBN 3030527301 3030527298 9783030527297 9783030527303

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