Introduction : jazz, Europe, Americanization -- New Orleans jazz, protest (Aldermaston), and carnival (Beaulieu) -- Whiteness and (British) jazz -- Jazz of the black Atlantic and the Commonwealth -- The politics and performance of improvisation and contemporary jazz in the 1960s and 1970s -- From "male music" to feminist improvising
Summary
An exploration of the political and cultural experience of jazz performers in Britain from the 1950s "traditional jazz boom" on
Bibliography
Includes bibliographical references (pages 333-348) and index
Notes
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL
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