| Description |
1 online resource (xv, 296 pages, 32 unnumbered pages of plates) : illustrations (some color) |
| Series |
Art history publication initiative |
|
Art history publication initiative
|
| Contents |
The word for world and the word for history are the same: Jimmie Durham, the American Indian Movement, and spatial thinking -- Now that we are Christians we dance for ceremony: James Luna, performing props, and sacred space -- They sent me way out in the foreign country and told me to forget it: Fred Kabotie, Dance memories, and the 1932 U.S. pavilion of the Venice Biennale -- Dance is the one activity that I know of when virtual strangers can embrace: Kay Walkingstick, creative kinship, and Art history's tangled legs -- They advanced to the portraits of their friends and offered them their hands: Robert Houle, Ojibwa tableaux vivants, and transcultural materialism -- Traveling with stones |
| Summary |
Jessica L. Horton explores how the artists of the American Indian Movement (AIM) generation remapped the spatial, temporal, and material coordinates of modernity by placing colonialism's displacement of indigenous people, objects, and worldviews at the center of their work |
| Bibliography |
Includes bibliographical references and index |
| Notes |
In English |
|
Online resource; title from digital title page (viewed on June 07, 2017) |
| Subject |
American Indian Movement -- Influence
|
| SUBJECT |
American Indian Movement fast |
| Subject |
Indian art -- Europe -- History -- 20th century
|
|
Indian artists -- Travel -- Europe -- History -- 20th century
|
|
ART -- Subjects & Themes -- General.
|
|
ART -- Native American.
|
|
Indian art
|
|
Influence (Literary, artistic, etc.)
|
|
Europe
|
| Genre/Form |
History
|
| Form |
Electronic book
|
| LC no. |
2017000497 |
| ISBN |
9780822372790 |
|
0822372797 |
|
