Introduction: Nation, spectacle, and colliding narratives -- Neptune redux : the (First) Nation(s) enacted in Alexis Martin's Invention du chauffage central en Nouvelle-France -- Les racines imaginaires/mythical metissages : Quebec and the ruse of the metis turn -- Cinematic encounters on the reserve -- Endurance/enduring performance : Nadia Myre, La Marche Amun, and the Indian Act's tumultuous geographies -- Theater in contested lands : repatriating ancestors amid violence -- Conclusion
Summary
Encounters on Contested Lands analyzes films, plays, visual art, and protest marches by Indigenous artists in Quebec, Canada, to explore the performance of cultural identity, sovereignty, and nationhood in Quebec's independence movement--Provided by publisher
Notes
Revised and expanded version of the author's thesis (doctoral)--University of California, San Diego, 2014
Bibliography
Includes bibliographical references and index
Notes
Description based on online resource; title from digital title page (viewed on December 07, 2018)
