| Description |
1 online resource (208 pages) |
| Series |
Iranian Studies |
|
Iranian Studies
|
| Summary |
Gender and Dance in Modern Iran: Biopolitics on Stage investigates the ways dancing bodies have been providing evidence for competing representations of modernity, urbanism, and religiosity across the twentieth century. Focusing on the transformation of the staged dancing body, its space of performance, and spectatorial cultural ideology, this book traces the dancing body in multiple milieus of performance, including the Pahlavi era's national artistic scene and the popular cafe and cabaret stages, as well as the commercial cinematic screen and the post-revolutionary Islamized theatrical stage. It links the socio-political discourses on performance with the staged public dancer, in order to interrogate the formation of dominant categories of "modern," "high," and "artistic," and the subsequent "othering" of cultural realms that were discursively peripheralized from the "national" stage |
| Notes |
Print version record |
| Subject |
Dance -- Iran -- History
|
|
Gender expression -- Iran -- History
|
|
SPORTS & RECREATION -- General.
|
|
Dance
|
|
Gender expression
|
|
Iran
|
| Genre/Form |
History
|
| Form |
Electronic book
|
| ISBN |
9781317620617 |
|
1317620615 |
|
