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Title Screening the dark side of love : from Euro-horror to American cinema / edited by Karen A. Ritzenhoff and Karen Randell
Published New York, N.Y. : Palgrave Macmillan, 2012

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Description 1 online resource (xxiv, 256 pages) : illustrations
Contents The whip and the body: sex, violence, and performative spectatorship in Euro-horror S & M cinema / Ian Olney -- Re-imagining censorship as "reel" mutilation: why not release a G-rated version of David Cronenberg's Crash? / Janet S. Robinson -- Antichrist: lost children, love, and the fear of excess / Terrie Waddell -- Black bucks and Don Juans: in the cut's seductive mythologies of race and sex / Tiel Lundy -- Mad love: the anxiety of difference in the films of Lon Chaney Sr. / Karen Randell -- Love, crime and Agatha Christie / Mark Aldridge -- Monstrous love: oppression, intimacy and transformation in Mary Reilly / Cynthia J. Miller -- Self-mutilation and dark love in Darren Aronofsky's Black swan (2010) and Michael Haneke's The piano teacher / Karen A. Ritzenhoff -- Female pleasure and performance: masochism in Belle de jour and Histoire d'o / Samm Deighan -- "What's in the basket?": sexualized and sexualizing violence in Frank Henenlotter's Basket case / Lisa Cunningham -- Blood and bravado: violence, sex, and Spain in Pedro Almodóvar's film Matador / Meggie Morris -- The backhand of backlash: troubling the gender politics of domestic violence scenes in Tyler Perry's The family that preys / Jenise Hudson -- Fatal attraction redux?: the gender, racial, and class politics of obsessed / Suzanne Leonard and Bailey Ray -- The idea of love in the TV serial drama In treatment / Christine Lang -- Fucking machines: high-tech bodies in pornography / Sarah Schaschek
Summary This edited collection unpicks the ways in which love can be understood globally as a problematic and often violent transgression rather than the narrative of 'happy endings' that Classical Hollywood has offered. Its engagement with varying methodologies of history, textual analysis, psychoanalytic models and cultural critique ensures that the edition will be useful for courses taught across the globe on film, television and popular culture. The collection comprises of international scholars who engage with films that have been made from the margins to the mainstream of cinema to explore issues surrounding gender identity and spectatorship
Notes Most essays in this collection were presented at a 2010 biennial conference, Film and History, held in Milwaukee, where "Love" was the main theme
Bibliography Includes bibliographical references (pages 225-236) and index
Notes English
Print version record
Subject Love in motion pictures -- Congresses
Women in motion pictures -- Congresses
Sex in motion pictures -- Congresses
Sex role in motion pictures -- Congresses
Violence in motion pictures -- Congresses
Gender studies: women.
Film theory & criticism.
ART -- Film & Video.
PERFORMING ARTS -- Film & Video -- Reference.
Performing Arts.
Love in motion pictures
Sex in motion pictures
Sex role in motion pictures
Violence in motion pictures
Women in motion pictures
Genre/Form Conference papers and proceedings
Form Electronic book
Author Ritzenhoff, Karen A., editor
Randell, Karen, editor
LC no. 2012013044
ISBN 9781137096630
1137096632
1299261981
9781299261983
9781349344406
1349344400