| Description |
1 online resource (xii, 247 pages) : illustrations |
| Series |
Metaphor in language, cognition, and communication ; volume 10 |
|
Metaphor in language, cognition, and communication ; v. 10.
|
| Contents |
Introduction. Western classical music and metaphor -- The language of music criticism -- The conceptual motivation of musical motion -- Metaphoricity as a gradable phenomenon -- Metaphors in music criticism -- Key motion verbs in Western classical music criticism -- The metaphoricity of musical motion expressions -- Final discussion and conclusions |
| Summary |
"The book explores (1) the motivation of motion expressions in Western classical music criticism in terms of conceptual metaphors (Lakoff & Johnson, 1980, 1999) in two corpus studies, and (2) their perceived degree of metaphoricity among musicians and non-musicians in a rating study. The results show that while fundamental embodied conceptual metaphors like TIME IS MOTION certainly play a part in explaining why we speak of Western classical music as motion, it is the specific communicative setting of music criticism that determines the particular use of motion metaphors. Furthermore, the perceived metaphoricity of musical motion metaphors varies with participants' musical background: musicians perceive musical motion expressions as more literal compared to non-musicians, showing that there are individual differences in the perception of metaphoricity"-- Provided by publisher |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Description based on online resource; title from digital title page (viewed on January 04, 2023) |
| Subject |
Metaphor in musical criticism.
|
|
Movement, Aesthetics of.
|
|
Metaphor in musical criticism
|
|
Movement, Aesthetics of
|
| Form |
Electronic book
|
| LC no. |
2022037576 |
| ISBN |
9789027256942 |
|
9027256942 |
|
