"No revolutions without poets": Chicano poetic consciousness -- Setting the stage: social movements, the state, and mass media -- "The stereotypes must die": social protests and the Frito Bandito -- Regulating Chico: the irony of approaching a state-supported industry -- Grasping at the public airwaves: the FCC and the discourse of violence -- Training the activists to shoot straight: a political generation in U.S. cinema -- "Our own institutions": the geopolitics of Chicano professionalism -- This is not a border: from social movement to digital revolution
Summary
Noriega offers a compelling and detailed description of an enormous body of work by Chicano media makers against the backdrop of Chicano social movements, politics, and activism over a forty-year period--an extraordinary exposition of the civil rights movement, media reform activities, and public affairs programming that constitutes the prehistory of independent and minority cinemas. 2000 Choice Outstanding Academic Title
Bibliography
Filmography: pages 251-255
Includes bibliographical references (pages 257-285) and index
Notes
Online resource; title from PDF title page (JSTOR, viewed October 15, 2015)
