This practice-based research examines the role of body memory, seen as a multiple and complex process in the development of a choreographic aesthetic, specifically in relationship to the creation of choreography. The thesis explores the idea that a dancer's body memory is not necessarily stable, but rather a constantly altered system
Notes
Submitted to the School of Communication and Creative Arts of the Faculty of Arts and Education, Deakin University
The DVD contains three works by the author: "Roomphase" (2006) -- "Icemilk" (2007/8) -- "The frailty of the human heart" (2008)
Thesis (Ph.D.)--Deakin University, Victoria, 2010
Bibliography
Includes bibliographical references (leaves 67-77)