I. An introduction -- II. Russian futurism and the related currents -- III. Russian suprematism and constructivism -- IV. The OBERIU circle (Daniil Kharms and his associates) -- V. Russian experimental performance and theater -- VI. Avant-garde cinematography: Sergei Eisenstein and Dziga Vertov
Summary
"A remarkable volume, the Russian avant-garde and radical modernism brings together the most significant movements and figures in Russian experimental art, cinema and literature of the early twentieth century (both pre-Soviet and Soviet) and presents them in commentary by leading scholars in the field"--Page 4 of cover
Notes
Includes text of some original essays by Russian artists in English translation
Bibliography
Includes bibliographical references (pages 472-486)