| Description |
1 online resource |
| Contents |
Cover; Title; Copyright; Contents; Contributors; Foreword; Salaam Bollywood: introduction; Part I Histories: mainstream and alternative; 1 Myths, markets and panics: Bombay cinema and the historical significance of the popularity of two Gujarati stage plays at the turn of the 20th century; 2 The left encounter: progressive voices of nationalism and Indian cinema to the 1950s; 3 Genre mixing as creative fabrication; 4 What do the villains have? Indian cinema's villains in the 1970s; 5 Inward bound: self-referentiality in Bombay cinema; Part II Bollywood dance: rereading history |
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6 Dancing to the songs: history of dance in popular Hindi films7 Designing the song and dance sequences: Exploring Bollywood's cinematic creativity; 8 The item girl: tradition and transgression in Bollywood dancing; Part III Changes in the cityscape, changes in cinema; 9 Regionalist disjuncture in Bollywood: Dabangg and the consumerist cinema; 10 Mourning and blood-ties: Macbeth in Mumbai; 11 Black Friday: a screen history of the 1993 Bombay bomb blasts; 12 The re-mapped dialectics of contemporary Indian cinema: Kahaani and That Girl in Yellow Boots; Part IV Other regions, other nations |
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13 Marking out the 'South' in/of Hindi cinema: an approach via remakes14 Between solidarity and the stereotype: Chandni Chowk to China; 15 The Khan Mania: universal appeal of superstar Shahrukh Khan in a post-globalised Bollywood era; 16 Old wine in a new bottle: Bollywood films shot in Australia after 9/11; 17 The way cinema was banished: the intervention of cinema studies in India; Index |
| Subject |
Motion picture industry -- India -- Mumbai -- History
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Motion pictures, Hindi -- India -- Mumbai -- History
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Motion picture industry
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Motion pictures, Hindi
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India -- Mumbai
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| Genre/Form |
History
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| Form |
Electronic book
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| ISBN |
9781317232858 |
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1317232852 |
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