| Description |
1 online resource |
| Contents |
Acknowledgements; Contents; List of Figures ; Chapter 1: Introduction; In the¡Words of¡a¡Filmmaker &; Studies of¡Cultural Specificity in¡Film in¡Japan, India and¡'the Third World'; The Term 'Culture' in¡the¡Framework of¡this Study; The Example of¡the¡Film Roro Mendut; Bibliography; Chapter 2: Indonesia: An¡Emerging Nation; The Colonial Period; Indonesia and¡'the Third World'; The Pancasila-Visions of¡Hope; Phases in¡National Political History; The Experiment with¡Democracy in¡the¡Early Sukarno Period (1950-59); Guided Democracy (1959-65) |
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From Abortive Army Purge to¡Systematic Annihilation of¡the¡Left (30 September 1965)The Suharto New Order Regime (1966-98); The Post-Suharto 'Reformasi' Period; The Regulation of¡Cinema Under¡the¡Suharto New Order Regime; Is There an¡Indonesian National Culture?; Bibliography; Chapter 3: Intermittent Industries: Film Production in¡Indonesia over Nine Decades; Film Production in¡the¡Netherlands East Indies; The Japanese Occupation (1942-45); Film in¡the¡Period 1945 to¡1949; New Initiatives in¡the¡Early Independence Period |
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Imported or Local Films: Political Economy of¡the¡Indonesian Film IndustryThe Guided Democracy Period: Conflict between¡Left and¡Right Cultural Organizations; Film Policies in¡the¡New Order Period; New Emerging Writer-Directors in¡the¡1970s; Popular Indonesian Genres in¡the¡New Order Period; Initiatives of¡the¡1980s; Changes in¡Film Exhibition in¡the¡1980s and¡the¡Decline of¡Local Production in¡the¡1990s; The Post-Suharto Reformasi Period; Bibliography; Chapter 4: Regions and¡Regional Societies and¡Cultures in¡the¡Indonesian Cinema |
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Conversation as¡an¡Alternative to¡Violence: The¡Formation of¡'the Social'The Quest for¡Regional Authenticity in¡Harimau Tjampa (1953); The Region and¡Historical Change in¡Para Perintis Kemerdekaan (1977); Mufakat and¡Islamic Reform in¡the¡Film; Syncretism and¡Gotong Royong in¡Tjambuk Api (1958); Regional Performance Forms Versus¡Modern Film Genres in¡Tiga Buronan (1957); A Flag Rising above¡a¡People under¡Siege: Tjoet Nja' Dhien (1988); The Region within the Nation-state and a Globalizing World: Surat Untuk Bidadari (1993); Conclusion; Bibliography |
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Chapter 5: Group Body Language in¡Performance Art, Films and¡Dance by the¡Indonesian Avant-GardeIntroduction; Group Body Language in¡Meta Ekologi (1979); Research in¡Anthropology on¡Proxemics, Kinesics and¡Choreometrics; Participatory Regional Performance Forms: The¡Barong in¡Sardono W.¡Kusuma's The Sorceress of¡Dirah (1992); Participatory Regional Performance Forms: Didong in Garin Nugroho's Puisi Tak Terkuburkan (1999); Group Body Language and¡the¡Concept of¡'Habitus': Models from¡Anthropological Theory; Conclusion; Bibliography |
| Notes |
Chapter 6: Body Language: From¡Wall Reliefs and¡Painting to¡Popular Narrative Film |
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Description based on online resource; title from digital title page (viewed on March 02, 2017) |
| Subject |
Motion pictures -- Indonesia.
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| Form |
Electronic book
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| ISBN |
9783319408743 (electronic book) |
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3319408747 (electronic book) |
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