Description |
1 online resource |
Series |
SEMPRE studies in the psychology of music |
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SEMPRE studies in the psychology of music.
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Contents |
1. Prelude. -- SECTION 1; Before the Event. -- 2. Marketing Live Music. -- 3. Musical, Social and Moral Dilemmas: Investigating Audience Motivations to Attend Concerts. -- 4. Safe and Sound: Audience Experience in New Venues for Popular Music Performance. -- SECTION 2; During the Event; 5. Interlude: Audience Members as Researchers. -- 6. The Value of 'Being There': How the Live Experience Measures Quality for the Audience. -- 7. In the Heat of the Moment: Audience Real-time Response to Music and Dance Performance. -- 8. Texting and Tweeting at Live Music Concerts. -- 9. Moving the Gong: Exploring the Contexts of Improvisation and Composition. -- 10. Context, Cohesion and Community. -- 11. Interlude: Lasting Memories of Ephemeral Events. -- 12. 'The Gigs I've Gone To': Mapping Memories and Places of Live Music. -- 13. Warts and All: Recording the Live Music Experience. -- 14. Staying Behind: Explorations in Post-performance Musician-Audience Dialogue. -- 15. Postlude. -- References. -- Index |
Summary |
This collection explores the processes and experiences of attending live music events from the initial decision to attend through to audience responses and memories of a performance after it has happened. The book brings together international researchers who consider the experience of being an audience member from a range of theoretical and empirical perspectives and the question of what makes an audience, arguing convincingly for the practical and academic value of that question |
Bibliography |
Includes bibliographical references and index |
Notes |
Print version record |
Subject |
Music audiences -- Psychological aspects
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Concerts -- Psychological aspects
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MUSIC -- Genres & Styles -- Classical.
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MUSIC -- Reference.
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Form |
Electronic book
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Author |
Burland, Karen, editor.
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Pitts, Stephanie, editor.
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ISBN |
9781472410283 |
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1472410289 |
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9781317158974 |
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1317158970 |
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