| Description |
1 online resource : illustrations (black and white), music |
| Contents |
Cantilena entata -- Grafting song in Paris -- Experimental song-writing in the Roman de Fauvel -- Performing nonsense at court -- Citation and ritual at the Puys of Valenciennes and Paris -- Jehan de le Mote and the rise of the ballade -- Citing the classics -- Machaut's heritage -- Self-citation and lyric process in La Loange des dames -- The dynamics of duplication |
| Summary |
Fourteenth-century France witnessed the emergence of a new school of lyric, as the so-called formes fixes crystallized and the Ars nova revolutionised musical practice. Charting the emergence of this new lyric order from ca. 1300 to ca. 1380, 'The Art of Grafted Song' demonstrates that, despite these new departures, the long-established principle of borrowing within French lyric continued to inspire poets and composers |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Online resource; title from home page (viewed on January 6, 2014) |
| Subject |
Music -- Europe -- 500-1400 -- History and criticism
|
|
Quotation in music.
|
|
Music
|
|
Quotation in music
|
|
Europe
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| Author |
Oxford University Press
|
| ISBN |
9780199369713 |
|
0199369712 |
|
