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Book Cover
E-book
Author Donovan, Ryan, author

Title Broadway bodies : a critical history of conformity / Ryan Donovan
Published Oxford : Oxford University Press, [2023]

Copies

Description 1 online resource
Contents Cover Page -- Half Title -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- Companion Website -- Introduction: The Broadway Body -- 1. "I Saw What They Were Hiring": Casting and Recasting A Chorus Line -- 2. Dreamgirls, Size, and the Body Politics of Padding -- 3. "Must Be Heavyset": Casting Fat Women in Broadway Musicals -- 4. La Cage aux Folles and Playing Gay -- 5. "Keeping It Gay" on The Great White Way -- 6. Deaf West's Awakening of Broadway -- 7. Musicals, Physical Difference, and Disability -- Epilogue: Recasting Broadway -- Notes -- Bibliography -- Index
Summary Broadway Bodies offers a new telling of Broadway history, exploring how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. Author Ryan Donovan unpacks Broadway's inclusion of various forms of embodied difference while exposing its simultaneous ambivalence toward non-conforming bodies
Broadway has body issues. Broadway Bodies: A Critical History of Conformity contends that Broadway has historically treated, and continues to treat, its fictional characters with more care than the actors hoping to get cast in these roles. Casting is the site of power relations that most clearly reveals Broadway's limited tolerance of difference. These relations converge in the ideology of the "Broadway Body": the hyper-fit, hyper-able, triple-threat performer who represents the ultimate commodification of the body for the Broadway economy. Casting is always a political act, situated within a power structure favoring certain kinds of bodies. On Broadway, that body has increasingly been the Broadway Body. Broadway Bodies centers how ability, sexuality, and size intersect with gender, race, and ethnicity in both casting and performance. Some questions explored in the book include: How does the use of fat suits in a musicals like Dreamgirls and Hairspray actually stigmatize fatness? What were the political implications of casting two white heterosexual actors as the gay couple in La Cage aux Folles in 1983? How do Deaf actors change the sound of musicals in Deaf West's Broadway revivals? How do musicals use the aesthetics of physical difference as a metaphor for disability? Broadway Bodies tells a history of Broadway's inclusion of various forms of difference while shining a light on its simultaneous ambivalence toward non-conforming bodies. Broadway is a battleground for body politics
Subject Musicals -- Casting.
Musicals -- Auditions.
Physical-appearance-based bias.
Musicals -- Political aspects
Musicals -- New York (State) -- New York -- 20th century -- History and criticism
Musicals -- New York (State) -- New York -- 21st century -- History and criticism
Musicals -- Casting
Musicals
Musicals -- Auditions
Physical-appearance-based bias
SUBJECT Broadway (New York, N.Y.) -- History -- 20th century
Broadway (New York, N.Y.) -- History -- 21st century
Subject New York (State) -- New York
New York (State) -- New York -- Broadway
Genre/Form Electronic books
Criticism, interpretation, etc.
History
Form Electronic book
ISBN 0197551092
9780197551097
9780197551110
0197551114
9780197551103
0197551106