Description |
1 online resource (201 pages) |
Series |
British Art: Global Contexts |
|
British art. Global contexts.
|
Contents |
Cover; Title; Copyright; Contents; List of Illustrations; Acknowledgements; Dedication; Introduction: Artwriting and National Identity (or, No Theory Please, we're English); 1 Englishness, Foreignness and Empire in British Artwriting, c. 1700-1900; Jonathan Richardson, Senior; William Hogarth, the Cosmopolitan Theorist; National Frames; The Analysis of Beauty: Seeing 'in English'; Joshua Reynolds' National Visions; The Picturesque as Travelling Theory; The Landscape of Empire: John Constable, Oscar Wilde and Homer Watson; The Empire of Landscape and Design: John Ruskin |
|
William Hazlitt and William Morris2 Indigenes, Imports and Exports: Englishness in Artwriting from Modernism to the Twenty-first Century; Roger Fry and Clive Bell: 'Applied Aesthetics'; Wyndham Lewis's Continental Englishness; Herbert Read: Englishness as Export; The 1930s; Art Now and Unit 1; The ICA and Festival of Britain; English Endgame: 'the Politics of the Unpolitical'; Nikolaus Pevsner: The Theory of The Englishness of English Art; Theory Reception: Englishness since the 1960s; Art & Language; Gilbert & George; Peter Fuller: Ruskinian Resistance; Yinka Shonibare; Rasheed Araeen |
|
The Cosmopolitan Nation?Bibliography; Index |
Notes |
Print version record |
Subject |
Art criticism -- Great Britain
|
|
Aesthetics, British.
|
|
Nationalism and art -- Great Britain
|
|
Aesthetics, British
|
|
Art criticism
|
|
Nationalism and art
|
|
Great Britain
|
Form |
Electronic book
|
Author |
Edwards, Dr Jason
|
|
Monks, Dr. Sarah
|
|
Corbett, Professor David Peters
|
|
Turner, Dr. Sarah Victoria
|
ISBN |
9781351575232 |
|
1351575236 |
|