1. Annette Kellerman: mermaids and South Sea Islanders -- 2. Rose Quong: appropriating orientalism -- 3. Merle Oberon: nationalism and negotiating the exotic
Summary
Race and the Modern Exotic focuses on three internationally successful 'Australian' performers from the first half of the 20th century who created newly-modern, racially-ambiguous, Australian femininities: Annette Kellerman, Rose Quong, and Merle Oberon
Analysis
Australian
Bibliography
Includes bibliographical references and index
Notes
Also available in an electronic version via the Internet