Video art -- Experiential art -- Art investment funds -- Appendix A. Record prices for video art at auction, December 2009 -- Appendix B. The film and video collections of Tate and the Whitney Museum of American Art -- Appendix C. Art investment fund universe
Summary
Noah Horowitz exposes the inner workings of the contemporary art market, explaining how this unique economy came to be, how it works, and where it's headed. He takes a unique look at the globalization of the art world and the changing face of the business, offering the clearest analysis yet of how investors speculate in the market and how emerging art forms such as video and installation have been drawn into the commercial sphere. --Book Jacket
Analysis
Advertising
Art Basel
Art auction
Art dealer
Art exhibition
Art world
Art
Artnet
Artprice
Asset
Auction
Bidding
Business model
Buyer's premium
Capgemini
Capitalism
Career
Case study
Cash flow
Christie's
Collecting
Commodity
Conceptual art
Consignment
Consultant
Contemporary art
Curator
DVD
Damien Hirst
David Zwirner
Dealer Market
Documenta
EBay
Economics
Economy
Expense
Finance
Financial asset
Financial crisis of 2007-08
Financial crisis
Financial services
Fine art
Fluxus
Frieze Art Fair
Funding
Globalization
Guarantee
Hedge fund
Illustration
Income
Inflation
Infrastructure
Insider
Insurance
Investment fund
Investment
Investor
Julian Stallabrass
Kirk Varnedoe
Larry Gagosian
Liam Gillick
Luxury goods
Maastricht University
Market liquidity
Marketing
Martha Rosler
Matthew Barney
Net worth
New media
Ownership
Painting (Blue Star)
Pension fund
Photography
Postmodernity
Price level
Pricing
Private collection
Product differentiation
Protectionism
Publication
Rate of return
Recession
Sotheby's
Speculation
Stock market
Stuart Comer
Subsidy
Supply (economics)
Tate Modern
Tax
The Art Fund
The Experience Economy
Transaction cost
Video art
Video installation
Wealth management
Wealth
Work of art
World economy
Writing
Bibliography
Includes bibliographical references (pages 331-347) and index
