Description |
vii, 171 leaves : illustrations ; 30 cm |
Summary |
An investigation of the consequences of pluralism for abstract painting. A central theme examines the possibilities for contemporary abstraction to question its own condition and history. The theoretical model of after-life forms facillitates an understanding of modes of abstraction which recombine unresolved, syncretic forms and address domains excluded by modernism |
Notes |
Submitted to the School of Contemporary Arts of the Faculty of Arts, Deakin University |
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Thesis (Ph.D.)--Deakin University, Victoria, 1999 |
Bibliography |
Bibliography: leaves 153-171 |
Subject |
Painting, Abstract -- 20th century.
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Genre/Form |
Academic theses.
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Author |
Deakin University. Faculty of Arts.
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Deakin University. School of Contemporary Arts.
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