vi, 47 leaves, 27 leaves of plates : illustrations ; 30 cm
Summary
This thesis argues that commercial and artistic appropriation of the Indigenous 'dot' motif from the Central and Western Desert amounts to exploitation of Indigenous sacred paintings. The author produced a suite of paintings that are discussed in relation to the above concerns, highlighting areas where it is suggested that changes in discourse should occur
Notes
Submitted to the School of History, Heritage and Society of the Faculty of Arts, Deakin University
Thesis (M.A.)--Deakin University, Victoria, 2007
Bibliography
Includes bibliographical references (leaves 41-47)
