Jeff Wall's Picture for Women (1979) and The Destroyed Room (1978): colonizing the space of gendered discourse -- Emily Carr and the legacy of Commonwealth modernism -- Myth and the 'home culture concept' -- Establishing the theory and practice of a defeatured landscape -- 1970s and the gendered spaces of the counter tradition -- Feminist theoretical and visual challenges to modernist representation -- Conclusion
Summary
A comprehensive examination of the origins of Vancouver photo-conceptualism. The book employs discourse analysis, feminist critique and settler-colonial theory to analyse the landscapes of Jeff Wall, Ian Wallace, Marian Penner Bancroft, Liz Magor and others