Description |
1 online resource |
Series |
Knowledge Unlatched |
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Knowledge Unlatched
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Contents |
Introduction -- 1. Weimar-Era Montage: Perception, Expression, Storytelling -- 2. The Narrative Restitution of Experience: Walter Benjamin's Storytelling -- 3. Storytelling in the Age of Its Technological Reproducibility: Benjamin on Film and Montage -- 4. Narrating in Three Dimensions: László Moholy-Nagy's "Vision in Motion" -- 5. Narrative Resemblance and the Modernist Photobook -- 6. Abstraction and Montage in the Work of Kurt Schwitters -- Conclusion: Montage after Weimar |
Summary |
"Examines the paradoxical narrative features of the photomontage aesthetics of artists associated with Dada, Constructivism, and the New Objectivity. While montage strategies have commonly been associated with the purposeful interruption of and challenge to narrative consistency and continuity, McBride offers a historicized reappraisal of 1920s and 1930s German photomontage work to show that its peculiar mimicry was less a rejection of narrative and more an extension or permutation of it." |
Analysis |
History |
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Aesthetics |
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Dada |
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Kurt Schwitters |
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László Moholy-Nagy |
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Mimesis |
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Photography |
Bibliography |
Includes bibliographical references and index |
Notes |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
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English |
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Print version record |
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digitized 2016 HathiTrust Digital Library committed to preserve pda MiAaHDL |
Subject |
Photography -- Germany -- History -- 1918-1933
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ART -- History -- Modern (late 19th Century to 1945)
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Photography
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Germany
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Genre/Form |
History
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Form |
Electronic book
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LC no. |
2020707266 |
ISBN |
9780472121700 |
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0472121707 |
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0472053035 |
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9780472053032 |
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0472073036 |
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9780472073030 |
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9780472900664 |
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0472900668 |
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