| Description |
1 online resource (273 pages) |
| Contents |
Introduction: The popular song as an era -- The invention of popular song -- The state as critic and consumer -- The long war on popular song -- Boogie-woogie democracy -- The end of popular song and of critique -- Conclusion: The television age and beyond |
| Summary |
Between the late 1920s and 1960s, Japan's recording industry produced songs that they simply labeled, "Popular Songs" (ryūkōka). Emerging within the context of the dramatic expansion of mass media during some of the most volatile decades in Japanese history, this musical genre came to occupy the mainstream of Japan's commercial music scene. Tokyo Boogie-Woogie is the first book-length, historical study in English of this musical phenomenon and its impact on the politics of culture in modern Japan. The book focuses on the broad range of self-appointed popular song critics, including musicians, intellectuals, political activists, and government officials, all of whom engaged in a series of contentious debates on these songs' cultural and social merits, or, more frequently, the lack thereof.-- Provided by publisher |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Online resource; title from PDF title page (EBSCO, viewed March 29, 2017) |
| Subject |
Popular music -- Japan -- History and criticism
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Popular music -- Social aspects -- Japan -- History -- 20th century
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MUSIC -- Instruction & Study -- Theory.
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HISTORY -- Modern -- 20th Century.
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Popular music
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Popular music -- Social aspects
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Japan
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| Genre/Form |
Criticism, interpretation, etc.
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History
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| Form |
Electronic book
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| LC no. |
2016044092 |
| ISBN |
9780674978409 |
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0674978404 |
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