| Description |
xiv, 306 pages : illustrations ; 27 cm |
| Contents |
Machine derived contents note: 1. The Venetian setting and demand for modern sculpture -- 2. Tullio Lombardo's development as a sculptor -- 3. The Ca' d'Oro relief and the beginnings of ideal portrait sculpture -- 4. Ideal portrait sculpture reconsidered: Bacchus and Ariadne and the dialogue with painting -- 5. Developments in ideal portrait sculpture: the double-portrait relief in other hands -- 6. Distillations of ideal portrait sculpture: single figure reliefs, religious adaptations, and miniature bronze busts -- 7. The Venetian bust: ideal portraits, surrogate antiques, and the emerging modern likeness |
| Notes |
Plates printed from p. 212-306 at end |
| Bibliography |
Includes bibliographical references (pages 181-202) and index |
| Subject |
Lombardo, Tullio -- Criticism and interpretation.
|
|
Portrait sculpture, Italian -- Italy -- Venice.
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Portrait sculpture, Renaissance -- Italy -- Venice.
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| Author |
Lombardo, Tullio.
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| LC no. |
94047055 |
| ISBN |
0521470757 (hardback) |
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