Preface: Below the surface -- Introduction: Submerged perspectives -- The intangibility of the Yasuní -- Andean phenomenology and new age settler colonialism -- An archive for the future: seeing through occupation -- A fish-eye episteme: seeing below the river's colonization -- Decolonial gestures: anarcho-feminist indigenous critique -- Conclusion: The view from below
Summary
Extending decolonial theory into greater conversation with race, sexuality, and Indigenous studies, Macarena Gomez-Barris traces the political, aesthetic, and performative practices of South American indigenous activists, intellectuals, and artists that emerge in opposition to the ruinous effects of extractive capital
Bibliography
Includes bibliographical references (pages 165-178) and index
Notes
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