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E-book

Title The Grand Theater of the World : Music, Space, and the Performance of Identity in Early Modern Rome
Published Milton : Routledge, 2019

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Description 1 online resource (265 pages)
Series Ashgate Interdisciplinary Studies in Opera Ser
Ashgate interdisciplinary studies in opera.
Summary Music and space in the early modern world shaped each other in profound ways, and this is particularly apparent when considering Rome, a city that defined itself as the "grande teatro del mondo". The aim of this book is to consider music and space as fundamental elements in the performance of identity in early modern Rome. Rome's unique milieu, as defined by spiritual and political power, as well as diplomacy and competition between aristocratic families, offers an exceptionally wide array of musical spaces and practices to be explored from an interdisciplinary perspective. Space is viewed as the theatrical backdrop against which to study a variety of musical practices in their functions as signifiers of social and political meanings. The editors wish to go beyond the traditional distinction between music theatrical spectacles - namely opera - and other musical genres and practices to offer a more comprehensive perspective on the ways in which not only dramatic, but also instrumental music and even the sounds of voices and objects in the streets relied on the theatrical dimension of space for their effectiveness in conveying social and political messages. While most chapters deal with musical performances, some focus on specific aspects of the Roman soundscape, or are even intentionally "silent", dealing with visual arts and architecture in their performative and theatrical aspects. The latter offer a perspective that creates a visual counterpoint to the ways in which music and sound shaped space
Bibliography Includes bibliographical references and index
Notes Valeria De Lucca is a Lecturer in Music at the University of Southampton. Her interests include music patronage during the seventeenth century, early modern women, the circulation of music in early modern Europe, systems of opera production between court and public theatres, and the visual aspects of the operatic spectacle. Christine Jeanneret is HM Queen Margrethe II's Distinguished Fellow of the Carlsberg Foundation and works between the Museum of National History at Frederiksborg Castle and the Centre de Recherche du Cht́eau de Versailles. Her research focuses on early modern music, with a particular interest for performance and staging, the body on stage, cultural exchanges and gender studies
Print version record
Subject Music -- Social aspects -- Italy -- Rome -- History -- 17th century
Sound -- Social aspects -- Italy -- Rome -- History -- 17th century
Rome (Italy) -- Social life and customs -- 17th century
MUSIC -- General.
MUSIC -- Genres & Styles -- Opera.
Music -- Social aspects
Italy -- Rome
Genre/Form History
Form Electronic book
Author De Lucca, Valeria.
Jeanneret, Christine.
ISBN 9781315465883
1315465884
9781315465890
1315465892
9781315465876
1315465876
9781315465869
1315465868