Preface: "Another place entirely" -- Toward econarratology -- Space and counterpersonal narration in Sam Selvon's A brighter sun and The lonely Londoners -- Rotten English and orality in Ken Saro-Wiwa's Sozaboy -- Sight and bodies in V.S. Naipaul's Indian travelogues -- National myths and ontological boundaries in Ben Okri's The famished road trilogy -- Toward storyworld accords