| Description |
1 online resource (327 p.) |
| Series |
Culture and History of the Ancient near East Ser |
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Culture and History of the Ancient near East Ser
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| Contents |
Intro -- Contents -- Author's Note -- Acknowledgements -- Figures -- Chapter 1 Introduction -- 1 Historical Background: The Ancient Near East in the Late Bronze Age -- Chapter 2 Identity as a Theoretical Framework in theStudy of Ancient Art -- 1 Is Identity a Valid Tool for Studying Ancient Art? -- 2 Gender, Community, and Others: Prominent Identities in the Ancient Near East -- 3 Constructing Ancient Identities through Materialand Visual Culture -- Chapter 3 People Praying on Stone: Identity in Kassite Babylonian Seals, ca. 1415-1155 BCE -- 1 Historical Introduction |
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2 Babylonian Glyptic during the Kassite Period -- 3 Seals and Religious Identity in Kassite Babylonia -- 3.1 Religion in Ancient Mesopotamia -- 3.2 Religious Identity in Kassite Babylonian Seals -- 4 Family and Community Relations in Kassite Babylonian Seals -- 5 Gender and Seals in Kassite Babylonia -- 5.1 Gender Diversity in Ancient Mesopotamia -- 5.1.1 Eunuchs -- 5.1.2 Babylonian Cultic Performers: kalû, assinnu, and kurgarrû -- 5.2 Gender in the Design and Use of Kassite Babylonian Seals -- 6 Profession and Institutional Affiliations in Kassite Babylonian Seals |
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6.1 Statement of Professional and Institutional Affiliations in Seal Inscriptions -- 6.2 Expression of Professional and Institutional Affiliations in Seal Material and Imagery -- 7 Synopsis -- Chapter 4 Men of the State: Seals as Markers of Distinctionin Assyria, ca. 1353-1050 BCE -- 1 Historical Introduction -- 2 Middle Assyrian Glyptic Tradition from the 14th to the 11th Centuries BCE -- 2.1 The Issue of Identity in the Scholarship on the Middle Assyrian Glyptic -- 3 Religious Identity in Middle Assyrian Seals -- 4 Family and Community Relations in Middle Assyrian Seals |
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5 Gender and Representation in Middle Assyrian Seals -- 6 Professional and Institutional Affiliations in Middle Assyrian Seals -- 7 Synopsis -- Chapter 5 Under the Shadow of the Great Kings: Seals and Identity in Hittite Syria, ca. 1340-1180 BCE -- 1 Historical Introduction -- 2 Scholarship on the Glyptics of Late Bronze Age Syria -- 2.1 The Issue of Identity in the Scholarship on the Glyptics of Syria -- 3 Religious Identity in the Seals from Hittite Syria -- 4 Family and Community Relations in the Seals from Hittite Syria -- 4.1 Expression of Patrimonial Connections through Seals |
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4.2 Community Identity in Seal Designs from Hittite Syria -- 5 Gender and Representation in the Seals from Hittite Syria -- 6 Professional and Institutional Affiliations in the Seals from Hittite Syria -- 7 Synopsis -- Chapter 6 Conclusion -- Appendix 1 List of Seals and Seal Impressions Discussedin the Text -- Bibliography -- Index |
| Summary |
Typically carved in stone, the cylinder seal is perhaps the most distinctive art form to emerge in ancient Mesopotamia. It spread across the Near East from ca. 3300 BCE onwards, and remained in use for millennia. What was the role of this intricate object in the making of a person's social identity? As the first comprehensive study dedicated to this question, Selves Engraved on Stone explores the ways in which different but often intersecting aspects of identity, such as religion, gender, community and profession, were constructed through the material, visual, and textual characteristics of seals from Mesopotamia and Syria |
| Notes |
Description based upon print version of record |
| Subject |
Coins, Ancient -- Middle East
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Identity (Psychology) -- Middle East
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Seals (Numismatics) -- Middle East
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Coins, Ancient.
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Identity (Psychology)
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Seals (Numismatics)
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Middle East.
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| Form |
Electronic book
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| ISBN |
9789004524569 |
|
9004524568 |
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